HONORING UKRAINE: A TRIBUTE
Jeannie Motherwell, Enough is Enough, 2022, Acrylic on cradled panel ©
a cool moon watches
higher than their eyes can see
above the night noise
Dori Pendergrass
We Need Not Know the Path
exploring the concept of 5's
I have heard we are all only five people away
from anyone in the world.
I know someone who knows someone
who knows someone who knows someone
who knows that person.
I have a friend named Kenneth Fan.
He knows people in the Chinese government.
They know Chinese president Xi Jinping.
So, it seems like we should be friends
I know my sister.
She knows the doctor who delivered her child.
He delivered Kamala Harris.
She knows Joe Biden.
Biden knows Vladimir Putin.
It seems he should be our friend.
I know many people.
They know their families, friends, acquaintances.
Each of them know so many, many people.
Each of them knows exponentially more.
At least one of them will know anyone else.
It seems we should all be friends
Judy Hardin Cheung
STANDING IN THE TRUTH OF LOVE
Standing in the truth of love
The energetic power of our being
Alive with a song of the soul
Carrying forth on a wavelength of light
Speaking in minds across universal planes
We catch the words and thoughts of kindred spirits
The art of life
A life of art
Love of truth
Truth of love
In the truth we're standing
Standing in the truth of love
James Berkowitz
FOR UKRAINE
There are sunflowers,
the country’s bright bloom.
Have you held one close
to your cheeks, your eyes?
Ukrainians do.
Tilted, full of grace,
there are sunflowers
on roadside meadows,
in hills and valleys
the size of one’s face,
all gazing beyond
the zeitgeist, the angst.
There are sunflowers,
what would they tell us,
since wide eyes see well!?
War excels at hell
on earth. Guardian
angels keep hinting
There are sunflowers,
yellow, tan and gold,
all a soul can hold.
Wash off the bomb-dust,
toxic weapons’ stench.
Ukraine stays free. And
there are sunflowers.
© Claire J. Baker, June 2, 2022
A Prayer Of Observation During War
I stare into the familiar. Paint peels and a drizzle
moistens bulging panels. The roof disintegrates
and spaces open for praying mantises. I should
be thankful but mostly I think about war and loss.
The aluminum basin in my mind catches rainwater
for peace that keeps widening deeper and deeper.
Praying mantises move like sloths; see through me,
on my knees, as if I am invisible or an old mirage.
Jane Green
J.M.W. Turner, The Angel Standing in the Sun, Oil on Canvas, 1846
There's a war going on
6,400 miles from my home. I don't know what
to do except pray. Please stop warring, or please
stop killing your Ukrainian neighbors, or please
stop warring people with threats of annihilation.
I'm having no luck, but this morning my daily
devotion was a quote from the Master Buddhist
Monk, Achaan Chan.
"We continue to create suffering, waging war with
good, waging war with evil, waging war with what is
too small, waging war with what is too big, waging
war with what is too short or too long, or right
or wrong, courageously carrying on the battle."
Will I ever be able to get up from my knees?
Jane Green
Choreography
One eye for one eye
You grieve, I grieve
When is the suffering enough?
My child, your child,
I plead, you plead
What is this awful symmetry?
When I fear, you fear
You rant, I rant
Make-believe strong, pretend-tough
Who will say it?
What we both want
Open the fist to find sympathy
Who keeps the books that count pluses and minuses?
Who measures? Who assigns weight and value?
Breathe the same air
Maybe we share a
resolute fragile geometry.
© Patrice Haan
A Passing Jet
Listen into waves of fog banked morning
The muffled roar of a passing jet
A reminder of safety when no bombs fall
Not here but a wrenching knowledge
That they fall on innocents in other lands
Listen as the voices of survivors on the radio
Speak of what they have endured
In an age when such horror is surreal
Their wounds and loss too palpable
The sounds of war deafening humanity
Listen into waves of wind’s warning
To the grieving mothers of a nation
Children lost in bombings and genocide
Hear their mournful wailing and pain
And let your heart grieve with them
© Deborah K. Tash, April 4, 2022
Dark Eyes
An Elegy for Ukraine
…whatever I do/will become forever what I've done.
—from "Life While-You-Wait," Wislawa Szymborska
The girl's family gathers at the kitchen table,
her box of colored pencils and pad of paper
that praised the beauty of nightingales in trees
packed away with a book of verse and trident
charm wrapped inside a silky blue-yellow flag.
Potatoes simmer on the stove to mash to stuff
pirohi dough. For now they make molotov cocktails,
fill shell casings, balk at air raid sirens and booms
in a blood red sky bleeding down on stuffed satchels
made ready to cross some border, any border.
The girl's Baba, just outside the window, braves
a soldier, hands him a fistful of sunflower seeds,
implores him to put down his gun to plant them.
While others deliver curses and spells, she sings
"Ochi Chyornye," the street thickening with the fog
of ghosts who have come, who are about to come.
Andrena Zawinski
Author’s note: Ochi Chyornye, or Dark Eyes. Known as a Russian folk ballad was written by a Ukrainian poet.
"SOME CASUALTIES"
are reported including a 7 year old child.
Is she or he merely a casualty in
the drumbeat of war, the reports of
statistics, of the number of refugees
fleeing, the number of bodies
found on the streets with booby traps
inside them, the child who once
held his family together, who could
laugh, play, read his books, was
busy with his friends? But there are
no friends, just an emptiness,
and fear, a lasting trauma.
Marguerite G. Bouvard
A Short Poem for my Ancestors' Home
The blue and yellow birds
the blue and yellow flowers
the blue and yellow banderole
quavering in the cyclonic wind.
Kyiv, Lviv, Odesea (Хай живе*)
We must keep praying and praying and praying
for ravaged Ukraine
Cindy Hochman
*Long live
life notes
across the landscapes
of Ukraine
in fields towns and
cities birds sang on
a million branches
neighbors heard them
that was last week
now the trees are gone
black ash the birds
with them the
singing silenced
listening ears absent
some forever
Jan Emerson
The Singularity of War
We have a warped hierarchy
of stories, value the narrative
of a single person's life,
teach children of their distinctive
and original lives, their future place,
until we have a war,
when singular tales and fables,
yarn and truth submerge,
and a people's, a nation's account,
enfolds all into one fabric,
the horrific scope of battle
obliterating uniqueness
into stalemate of all—
shelled apartments look
like shelled bureaucracies,
after all, the remnants of a house
like the remnants of a shed.
No one lives there anymore.
It is the black hole that war brings,
a toxic singularity
that compresses what matters
into nothingness but itself,
extinguishes light,
differentiation, individuals.
What can we do but stand and weep
as we watch the Penelope of history
who has crafted each stitch and purl
into culture, variety, diversity,
pull it apart, unraveling
threads as if inconsequential.
Jeff Burt
Abkhazia
Past the sweet corn and the grape arbor,
Running along a wall of tattered stucco,
Dog barking somewhere near,
Rooster strolling the road.
In the distance black smoke turns white.
Beyond red tile roof lines, the camera shows bright flames.
Few of the fighters have helmets.
Only the group leader wears body armor.
A soldier who has been hit wears his massive curls
Pulled high on his head in a knitted band
Designed for winter sports. It is now hot summer.
The grapes are big and deep blue in the arbors.
The one with high piled curls bleeds from his right side.
Two men run with him off beyond the range of the camera.
When firing stops, a woman opens her basement door.
Wide eyed, she runs her fingers through her tangled hair.
Everyone in the film is wide eyed. What will be next?
Those with guns want to know the same.
Their eyes are fixed beyond the sweet corn
And the vineyard. Turning toward her worn stone steps,
The woman goes slowly back inside,
Returns with a red plastic bowl full of water.
The men pass the bowl from hand to hand.
Each face looks like an icon.
She, like the Theotokos, the birth-giver of the divine.
And why not? These are the faces
That served as models for icons.
Look at them in books and on video.
Look at them as neighbors, school mates,
Hardly any with a helmet. Only the one in charge
With his chest protected.
Tanya Joyce
MASS OF REFUGEES
Right now
In a country miles away
But at our front door remains
A mass of refugees
Distraught
Astray
Afraid
Within a chaos caused by a greedy few
Rupturing lives while many are slew
Causing the sun to dim
To the point of an eclipse
During the interim
While their power leaders slip
And fall into their graves of universal sin
James Berkowitz
Joseph Mallord William Turner, Sunrise with Sea Monsters, Oil on Canvas, 1845
RAVAGED SONNET
This war, Putin said, will be over soon.
The first casualty of war is truth.
The first untruth is to blame your victim.
Perhaps a disease is killing Putin,
His mind and body ravaged and cratered
As Kyiv, Kharkiv and Mariupol.
Is disease a metaphor for evil?
How does a metaphor become real war,
A legacy of bombs and bodies?
The dead are real, rather they used to be,
Gone in a flash or lingering until
Their absence is real.
And for this absence there is no cure.
What about evil?
Ken Saffran
Hate Is Not the Only Four-Letter Word
pack
flee
foot
boat
loss
bomb
guns
wars
evil
hate
pray
some
time
soon
feel
safe
feel
hope
know
love
make
home
anew
Kit Kennedy
Meditation on Blue & Yellow
Now the world instantly
recognizes the Ukrainian flag --
minimal, almost bucolic,
democratic in the distribution
of hues. Azure for the country’s
streams, sky, mountains. Yellow
honors golden wheat fields and
the earth’s richness. Almost
biblical: so above, so below.
That’s the sweet metaphor.
Reality is harsh, unrelentingly cruel.
In my mind’s eye, I see
a Ukrainian woman, despondent.
Don’t know her last name.
Her first, sister, lover, aunt,
mother, grandmother.
Grief-stricken at seeing war
abroad, it’s easy to overlook
the wars of rage decimating
our schools and our streets
under an azure sky with sun
striking golden hills. More than
a flag unites us. Still, I can’t
stop thinking how much
of home can one stuff into
a pillowcase?
Kit Kennedy
Vincent van Gogh, Wheatfield with Crows, Oil on canvas, 1890
Sunflowers
From distant first world safety,
we shudder at worsening headlines,
witness family homes, maternity hospital,
theater clearly marked as a refuge
harboring women and children
transformed to rubble.
While we paint fire hydrants blue and yellow,
fly the Ukrainian flag over Monterey city hall,
from boat masts in protected marina,
defiant war zone survivors take back their cities,
deliver water and food, rescue the fallen,
replace street signs with taunts targeting Putin.
Around the planet,
sunflowers rise in solidarity,
push golden faces toward light,
towering blooms that symbolize
resistance, persistence, a desire for peace.
Jennifer Lagier
THE DEPTH AND STRENGTH OF MUSIC
In Kharkov, Ukraine, in the midst of heavy
and relentless bombing and assaults,
on the day of its annual classical music
festival, five musicians brought their violins
cellos and bass into a subway station
calling it "concert between explosions."
It started with the Ukrainian national anthem,
inspiring an audience of hundreds of all ages
to put their hands over their hearts, and some
of them to hold each other as the violinist
Stanislov Kucsherenko said "music has a strong
emotional significance, helps people to cope
with fear and stress and inspire faith and
optimism." In this polarized world of conflict,
unity is an emblem of the Creator, that when
we confront pain and disaster together,
we are all one family, sharing not only
our anxiety, but also a profound love.
Marguerite G. Bouvard
Messenger
"I have come to understand we are all messengers to one another" ~ Beau Beausoleil
A woman stands in the war zone,
hands seeds to a soldier, tells him,
Take these and put them in your pocket,
so sunflowers will grow
when you all die here.
Golden petals crown lanky stalks,
sprout from ditch banks,
between tin-roof shacks,
along country roadsides.
Tenacious sun seekers
thrive despite inhospitable soil
Tokens of hope
lift heavy heads toward light,
above barbed wire boundaries.
Passing jays drop sunflower seeds
among lupine, poppies, alyssum --
a promise that winter's passage
will blossom healing and peace.
Jennifer Lagier
Time Without Measure
A clock with no hands seems to drift through smoke
as a news camera pans a bombed out Ukrainian village.
Can time transition with no hands to mark its passage?
Has time changed since
Genghis Khan galloped in from the east
The Ottoman Empire intruded from the south
Austro-Hungarian Empire came from the west
as Russia invades from the North.
After the War to End All Wars, Ukraine was independent
until overpowered by Russia again.
After the break-up of the Soviet Union
again Ukraine became a peaceful, independent nation
happy to live with United Nation's dictates to be neutral.
Now Russia is invading again.
Today, with schools and apartment buildings bombed,
Ukrainians beg those who are their friends
to stop the televised-world-wide genocide.
Putin demands, "Ukraine is Russian because it was Russian!"
Someone asks if this means Russia has the right
to invade Alaska and California
which briefly also have been under a Russian flag.
The clock with no hands offers no answer
as smoke drifts across its face
yet another time,
and it fades into oblivion on international TV.
Judy Hardin Cheung
HOPE IN THE DARKNESS
Into the night I seek
Love amongst the weak
The meek
In all life forms
Tenderly and unwavering
We're waiting for the ill souls of the world to transpire
Allowing drops of dew to gently baptize their heads
While our violent society hangs by threads
Breath by breath
In a perilous human crucible
Nature and our animal friends
Continue to pray for awareness
Pleading for us to stop being careless
We look on
As leaders drop bombs
Causing self destruction
AN ERUPTION
OF TERROR
Though they admit not
Their pride within a common lot
Unbending
But sending
A patriotic message of death
James Berkowitz
STANISLAV KALININ
In the midst of a horrific war of continuous
destruction of cities and towns, the rampant killing
of civilians, including the elderly and children,
at a time when bridges are destroyed, and despair
could be overwhelming, Ukrainians are
responding in extraordinary ways, doing everything
they can to help each other; carrying a blind
woman down the stairs to a car that will bring
her to a safe place, sharing an overcrowded
room, a community that comes together, despite
being surrounded by so many deaths, revealing
that nothing is as powerful as love, when janitors
step up to clean the streets of rubble and trash, when
a woman shares her last piece of bread and when
Stanislav Kalinin, a soloist with the Karkiv
Regional Philharmonic played DeProfundis on
the organ in the arched hall of a church in Lviv,
saying "It's like a prayer that people have in time
of despair, a prayer to protect us, to protect our
children." Once he finishes these performances
Stanislav Kalinin plans to return to Karkiv
where a everyone is doing what they can to maintain
a sense of normalcy despite the war, telling us that
"those who stay in Karkiv are maintaining the beauty
of their city and the beauty in their souls."
Marguerite G. Bouvard
This Poem
This poem is trying to hold itself together
trying not to scream in futile anger
not crash into walls
not lie down in hopelessness.
This poem is trying to tell its own truth
to remember moments of grace
to join hands with other lines of words
words that speak justice
that seek peace
that are juicy with abundant love.
This poem is magnetized by and afraid of
that overworked, beaten, bruised, disguised,
bought-and-sold word
that Valentine label
that kiss-off
that closing salutation
that lie
that nevertheless rings as truly as a perfectly cast bell rings
a complex set of overtones from the root
from the deep
root.
© Patrice Haan
Haiku from Dan Brady
Smoky battleground
Corpses strewn … a medallion glints
The long – justice – of silence
Historical atlas:
Flip pages; each pixel's change in tint
Warfare's sanguine hint
Who denies their chains
Those long-standing claims
From the empires of our past
If I could bury this world,
I would – if only that
Would ease the pain
I've issues with this world
Its past problems those of today,
Compounding, as they are, with interest
Kyiv, last year
Colorful dancers honored
The Great Patriotic War
This summer
The world draws its claws,
Hammers home hard horror
No matter past
Or present – the future
Is bigger than both … live for it
One question one answer
One moment one soul
One peace one people
AS TIME ENCIRCLES AND RECYCLES ITSELF
As time encircles and recycles itself,
mirror likenesses thicken and fog up.
If you have trouble finding yourself,
start looking elsewhere. The sky –
not only is it not the limit, it opens
and dares you to look up who you are.
Mountains and mountains and mountains
– they’re you. Great Lakes you take
to be out there someplace look like you,
splash and churn and shine like you.
The world beyond washed flesh is you.
Light dries your eyes; one blink can melt
illusion, dissolve the frame that says:
“I look at you and see no evidence of me.”
Al Young - © 2008 by Al Young
Ukrainian Nocturne
"As if to music, as if to peace." –Eavan Boland
Each night, nameless men
switch street signs
to misdirect enemy soldiers.
An old woman sets her cat carrier
near a pile of rubble,
scavenges smoldering ruins
for surviving mementos.
In a crowded subway station,
underneath burning wreckage,
a little girl dreams of peace,
snuggles doggie and doll,
imagines blue summer sky,
running barefoot through tranquil field,
rows of golden sunflowers.
Jennifer Lagier
Vincent van Gogh, Sunflowers, Oil on canvas, 1888